Schooling

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Sadly, ponies get a lot of bad press. Even so, their reputation as being lazy, stubborn, and difficult to train, plus their seemingly inherent displays of poor behaviour, have less to do with their innate nature and more to do with a lack of training.

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A closer look at the troubling physiology behind this common practice and how to support curiosity and courage in our horses instead.

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Ground rails, trail pattern poles, or obstacle course logs — these low-lying obstacles are a regular feature in the equestrian experience. We walk, trot, and canter over them in straight paths, serpentines, or pinwheels.

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Every Time, Everywhere - Wrong lead! It’s one of the earliest alerts a young rider hears from her coach. One’s heart sinks to hear that same alert from the coach calling over the show ring rail. The novice rider learns the outside leg back and kiss cue to canter but I’ve found that riders are often unsure why they should use this cue. Let’s break it down. We’ll review the phonics of teaching your horse to pick up the correct lead and some hints to help the rider recognize it.

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Groundwork = Secret Conditioning - While it is widely used for gentling young horses and teaching basic skills, groundwork also offers the possibility for a notable amount of conditioning. When consistently and strategically practiced, it can improve muscle tone, basic metabolic function, and neuromuscular patterns.

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“Show jumping is a sport of millimetres. You can’t wing it.” — Tiffany Foster.

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While it might often be spoken about in artistic, aesthetic, or even philosophical ways, lightness — both of movement and also of communication with horses — is more than an abstract ideal. In many ways, it measures a horse’s current physiological capabilities.

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Who doesn’t love a horse with a laid-back disposition, the unflappable sort, unfazed by snow skidding off the arena roof? The downside of that laid-back horse is that he’s liable to be laid-back about his rider’s aids, too.

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Visiting a Western art museum recently, I was captivated by the Russell and Remington paintings of horses and riders. The harsh realities of cowboy life were portrayed by hard riding and bronco busting. Horses in action — vehicles of transportation and battle — seemed a sharp contrast to horses in our modern Western cultures as companions or partners in sport. Though enchanted by the artistry, I was unsettled by the common denominator in every painting — every rider hauling on the reins; every horse a picture of mouth-gaping tension.

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The speed of horse training differs from horse to horse and from trainer to trainer. As a trainer I am convinced that the slower you train, the faster horses learn. Not only do they learn faster, they learn with confidence.

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